Ten months into a ‘cancer’ diagnosis, talented dance student Katie (Kacey Rohl) is informed that her grant is in jeopardy. She needs to fake her medical records but that kind of fraud doesn’t come cheap. Her loving girlfriend Jennifer (Amber Anderson) offers money, thinking it’s for an experimental treatment, but instead Katie turns to her father, Doug (Martin Donovan). He doesn’t believe her, hinting at a troubled history and past trauma, and when he challenges his daughter publicly, she becomes increasingly desperate. Directed by Yonah Lewis and Calvin Thomas | 2019 | 96 min | Canada | English

Olivia, an undocumented Filipino transwoman, works as a caregiver to Olga, an elderly Russian woman, in Brighton Beach, Brooklyn. When Olivia runs out of options to attain legal status in the US, she becomes romantically involved with Alex, Olga's adult grandson, in the pursuit of a marriage-based green card.

Queerness on television has moved from subtext,in series such as Xena: Warrior Princess,to all-out multi season relationships between women, as seen on Buffy the Vampire Slayer, Lost Girl, and Carmilla. But things still aren’t perfect. In 2016, a record number of queer women died on fictional shows, which broke the hearts of queer fans and launched a successful fight for better,more diverse LGTBQ2S+ representation. Stars such as Ilene Chaiken, Stephanie Beatriz, Lucy Lawless and Angelica Ross join with the voices of numerous kickass fangirls in this fast-paced history of queer women’s representation of contemporary television. Queering the Script not only charts the evolution of queerness, but also demonstrates the extraordinary impact of activism on its many diverse fans,ensuring that they see themselves accurately portrayed onscreen.