A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

Strap yourself in for our first collection of macabre stories. Lots of twists, turns, jumps, scares, creatures, vamps, and blood. Lots and lots of blood.

The legacy of Billy Tipton, a 20th-century American jazz musician and trans icon, is brought to life by a diverse group of contemporary trans artists. Tipton gained fame as a musician throughout the United States in the 1940s and ’50s, but his trans identity was not known throughout the echelons of the jazz and pop worlds, and it wasn’t revealed publicly until after his death in 1989. Aisling Chin-Yee and Chase Joynt’s brilliantly crafted doc maps out Tipton’s undeniable legacy, while examining the disgraceful media scrutiny and questions of legitimacy his family endured after his death.