"There is neither happiness nor misery in the world; there is only the comparison of one state with another; nothing more. [Those] who [have] felt the deepest grief [are] best able to experience supreme happiness.‚" -- Alexandre Dumas 2021 marks the centennial year of the Tulsa race massacre. I have felt a plethora of emotions processing this; no doubt, mirroring the sentiments of the rest of the BIPOC community. The most powerful of those emotions has been an existential and spiritual connection to my ancestors. We have experienced so many atrocities up until this very day.Yet, we continue to alchemize all of that pain into a fierce ball of eternal fire. An inferno that we metamorphose into love, laughter and life in countless mediums. Then, we pass the strength of that magical fire along to our community, our descendants and finally, the world. While I celebrate us all year long, once a year, I am honored to use the medium of cinema to shine a light on our stories. I give visibility and a platform to the artists celebrating our lives, our sorrows, our magic‚ in front of the lens and behind it. This year, through Afro-futurism, contemporary dance, animation, documentary, and many more, I present to you: Wicked Queer 2021's BIPOC short film program. Thank you to all of my BIPOCs, past, present and future.

After his 1986 album Keyboard Fantasies is rediscovered a black trans musician recounts his life as an out queer person and performer from the 60s to the present.

From its start in 1990, Curve magazine was a visionary and unapologetic celebration of lesbian life from cover to cover. Facing the magazine’s possible demise in 2019, director Jen Rainin and Curve founder Franco Stevens explore questions of lesbian visibility, legacy, and current day issues through interviews with contemporary LGBTQ+ tastemakers, “celesbians” including Melissa Etheridge, Jewelle Gomez, Denise Frohman, Kate Kendell, and Lea DeLaria, along with rich archival footage recounting the formation of a lesbian cultural institution.