A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

After toiling for years in bit-parts, aspiring actress Nina Wu (Ke-Xi Wu, who also co-wrote the script based on her own personal experiences) finally gets her big break with a leading role in a spy thriller set in the 1960s. The part, which calls for nudity and explicit sex scenes, is made all the more challenging thanks to the director’s unending belittlements. While seemingly on the brink of professional triumph, Nina’s psychological resolve begins to crack under the pressure. As she rushes to her childhood home following a family emergency, Nina begins suffering paranoid fantasies that a mysterious woman is stalking and attacking her. As Nina clings to memories of happier times, it seems that there is one crucial memory that she is repressing…

After 17 years, Nicole Costa gets in touch with Iván Ojeda, her old Chilean friend from college. Back then he was a talented theater director and playwright, but it turns out he has reinvented himself. Iván now goes by Monalisa and works as a prostitute on the streets of New York. Intrigued by this transformation, Costa decides to follow Iván Monalisa, a “gender-neutral two-spirit,” in their tough and vulnerable life filled with fleeting sexual encounters and addiction to hard drugs. Nonetheless, Monalisa does continue to write beautiful, raw pieces about life and survival in New York. Recent scenes of Monalisa’s attempts to get a visa and her first successes as a writer are interspersed with old VHS footage, snippets of telephone conversations and extracts from her work. All this is framed by scenes of Monalisa proudly parading through the streets of New York—a living artwork searching in the shadows for the light of self-expression.