São Paulo, in a dystopian future not so very far from the present. A virus is circulating, one that mainly attacks the brain and the ability to remember. A state that has forgotten a past marked by colonialism and dictatorship desperately awaits some indeterminate “Golden Phase.” Three young queer people drift through a city bled dry by the pandemic and rampant capitalism, remembering each another’s late lovers, sharing their experiences with HIV, getting makeup tips for masked faces and ultimately coming together with others forgotten by society for an antique revue in the salon of a singer named Mirta.

In 1958, a young trans woman named Agnes entered a study about sex disorders at UCLA to get the gender-affirming care she needed, by any means necessary. Her story was long considered to be exceptional until never-before-seen case files of other patients were found in 2017. Directed by Chase Joynt (NO ORDINARY MAN) and featuring an all-star cast of transgender artists and performers, FRAMING AGNES uses re-enactment and genre-blurring storytelling techniques to breathe new life into previously unknown people who redefined gender in the midcentury. Featuring Angelica Ross, Jen Richards, Zackary Drucker, Silas Howard, Max Wolf Valerio (Gendernauts, Max), and Stephen Ira.

A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus. The first gay prime minister of Greece struggles to carry the legacy of LGBT history at a time of post-truth alt-right dystopia. The mysterious algorithm of the collective unconscious and heavy-handed tradition of “the land of heroes” proves unshakable. Will liberal Europe and its so-called ‘freedom of speech’ provide an alternative or is it just another platform for neo-reactionary culture wars?